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Congrats, and Goodbye, to Peak TV
  + stars: | 2024-01-16 | by ( John Koblin | ) www.nytimes.com   time to read: +1 min
As “Succession” cast members marched up to the Emmy stage on Monday night to grab their statues for the show’s final season, they used it as one last opportunity to say goodbye. Kieran Culkin, after kissing his co-star Brian Cox on the lips, gave a tearful speech while accepting the award for best actor in a drama. Matthew Macfadyen and Sarah Snook, who each won acting awards as well, gave loving tributes to fellow cast members. And Jesse Armstrong, the creator of “Succession,” capped off the night by accepting the best drama award for the third and final time and noting: “We can now depart the stage.”It all punctuated an end-of-era feeling at the Emmy Awards on Monday night. The ceremony felt in many ways like a book end to the so-called Peak TV era itself.
Persons: , Kieran Culkin, Brian Cox, Matthew Macfadyen, Sarah Snook, Jesse Armstrong, “ Ted Lasso, Saul, ” “ Barry, Maisel Organizations: Atlanta
I was staving off my own mourning as my family prepared for the 10th anniversary of my brother Shaka’s death from cancer. That, coupled with political crises and global despair, pushed me to find film, television and performances that helped me make sense of my grief and, hopefully, find a release for it. I can’t think of three more heart-wrenching performances of parental loss than Shiv (Sarah Snook), her voice breaking as she pleads, “Daddy? A man without a company, it is a fate that, for him, is far worse than death. (Read our review of the “Succession” finale.)
Persons: ” Juicy, Shakespeare’s, Z, Marcel Spears, Juicy, Ham, , Logan Roy, Brian Cox, Jesse Armstrong, that’s, Sarah Snook, , Don’t, Kieran Culkin, Kendall, Jeremy Strong Organizations: Broadway Locations: Ham
There’s some torque applied to the characters and the situations, which reminds me of comedy, but it isn’t always a comedy. I guess that’s maybe the mortality. Maybe I could try to elicit the audience’s sympathy for someone, but I wouldn’t want to with this show. It wasn’t like, Oh, let’s try and push people away or draw them in. But if it could happen or would happen, we’d always say, let’s do it.
Persons: isn’t, I’d, Nick Britell, Robert Maxwell, Rupert, Murdoch, Sumner Redstone, let’s, we’d Locations: British
CNN —At first glance, the American actor and filmmaker Fisher Stevens wasn’t the obvious choice to helm the four-part Netflix documentary series about English soccer great David Beckham. “When they first called me, my response was …’why me for David Beckham?’” the 59-year-old said to CNN Sport’s Don Riddell. “I said, ‘Hey, I have a call with David Beckham, but I’m not sure,’” Fisher fondly recalled. I say what’s really strong, their relationship is really strong and if you can work with your wife and it works, God bless, man,” he said. But that’s why he’s also such a good guy, because he’s worried about you too.”A second series?
Persons: Fisher Stevens, David Beckham, Stevens, , CNN Sport’s Don Riddell, , , Beckham, Alex Ferguson, Ballon d’Or, Lionel Messi, ” Adams, Taylor Swift, Travis Kelce, Becks ’, Jesse Armstrong, HBO’s, Tony Roche, Hugo, Oscar, Leonardo DiCaprio, DiCaprio, , I’m, ’ ” Fisher, Logan Roy, ” Brand Beckham, David, he’s, “ Beckham, Ted, Ferguson, Scot, Megan Briggs, Victoria, ‘ David we’ll, ‘ David, that’s, Joseph West, ” Stevens Organizations: CNN, Netflix, Manchester United, Major League Soccer, Inter Miami, Argentina, Spice, HBO, Warner Bros, United, Real Madrid, Variety, Qatar, Jewish Locations: American, England, Spain, America, Italy, France, United States, , Victoria
Schultz wrote about how he helped craft the show's fictional presidential election. A former Obama White House aide who worked with writers on crafting the chaotic end to the show's fictional presidential election expressed hope that the brief chapter in the Roys' saga doesn't become real life. "With Succession, I can only hope we didn't predict the future and that, ultimately, life does not imitate art." Roman Roy, played by Kieran Culkin, teases his sister Shiv by saying "False Flag" repeatedly when she raises the possibility of a pro-Mencken plot. AdvertisementAdvertisement"So much for my political expertise," Schultz wrote of how he dismissed concerns about arson in actual political circles.
Persons: Eric Schultz, Schultz, doesn't, fixating, Eric Shultz, Jeryd Mencken, Kendall, Roman Roy, Jesse Armstrong, Armstrong, Darwin Perry, Adam Godley, Kieran Culkin, Shiv, Mencken, Politico's Zach Montellaro, Donald Trump, Mike Pence Organizations: HBO's, Service, Obama White House, White, Hollywood, HBO, Republican, ATN, Democratic, Electoral College Locations: Wall, Silicon, Milwaukee
CNN —It was an improvised scene the audience didn’t see, but Jeremy Strong freaked out the “Succession” creator with his performance in the series finale. The creator, Jesse Armstrong, appeared on a recent episode of NPR’s “Fresh Air” and was asked about Strong climbing over the railing at the river as if he may jump in during the improvised final scene of the Emmy-winning HBO series. I was terrified that he might fall in and be injured,” Armstrong said. “I did try and go in the water,” Strong said. Your job is to give the writing heart and a nerve and … all that stuff.”Strong said he “didn’t feel like (Kendall) could come back from what happens to him.”
Persons: Jeremy Strong freaked, Jesse Armstrong, , ” Armstrong, , ” Strong, Kendall Roy, CNN’s Anderson Cooper, Kendall Organizations: CNN, HBO, Warner Bros .
When filming on the final season of “Succession” wrapped this winter, the actor Jeremy Strong flew to the Danish fishing village where he and his wife have a home. For Strong, who began filming the HBO drama seven years ago and won an Emmy for playing Kendall Roy, this was a happy ending. But for the character, “Succession,” created by Jesse Armstrong, concluded on bleaker terms. Kendall began Sunday night’s finale episode believing that he would emerge as the chief executive of a giant conglomerate. But the final scene, which also took place at the water’s edge, also at sunset, left Kendall numb, friendless, bereft.
On Sunday, the show reaches its finale and so a final check-in with Michelle Matland, the Emmy-nominated costume designer responsible for crafting a 21st-century version of Machiavellian chic and inadvertently spurring the “stealth wealth” fashion genre, seems in order. Looking back, could you could have predicted where this show would take you? Jesse Armstrong wrote an incredible brilliant story, but I’m not sure he knew where it was going to go. The one constant was the trajectory of each character, and over the seasons, they developed story lines and these inherent qualities you couldn’t have foreseen. And it must have been an unusual challenge for a designer, since the setting is contemporary and the characters’ wardrobes don’t read as costumes.
Meanwhile, the smaller TV audiences of the cable and streaming age have allowed “Succession” to thrive as a more specific and more niche entertainment. “Succession” can afford to be a rarefied, decadent pleasure, like an ortolan, the deep-fried songbird, eaten whole, that was featured in a memorable Season 1 meal. “Dallas,” like its followers from “Dynasty” through “Empire,” was in the populist soap-opera tradition of letting the audience delight in the woes of rich people. “Succession” has its crowd-pleasing and universal elements too. At root, the series’s family themes are talk-show simple: Hurt people hurt people.
Here, he listens to Shiv’s argument that ATN could slow the Mencken momentum. The first is that Kendall really wants the next president to kill the GoJo deal, which Roman insists Mencken will do. So Kendall asks Shiv to take one more shot at persuading her ex-lover Nate to get Jimenez to make that same promise. This sets up the second impediment: when Kendall call Nate to iterate more clearly what Shiv claims to have said. ATN really is about to help elevate an authoritarian to America’s most powerful public office because one spoiled brother is in a snit.
But there's a similar legacy battle going on inside LVMH, the French luxury house run by Bernard Arnault. The children of the world's richest man are vying for influence within LVMH in a "Darwinian" fight. Showrunner Jesse Armstrong says his fictional Roy family is inspired by several famous dynasties, such as the Hearsts — the family behind Hearst Communications — and the Redstones — the controlling influence behind Paramount Global. There's still plenty of rivalry between the progeny of Bernard Arnault, CEO of luxury goods behemoth LVMH and world's richest person. The Roy family of "Succession."
Since "Succession" character dubbed this Burberry bag "ludicrously capacious," search for the brand has spiked. One of the show's central characters, Tom Wamsgans, scoffs at the luxury bag, describing it as "ludicrously capacious." Tom Wamsgans' comment about another character's "ludicrously capacious" bag in season four of "Succession" went viral. Macall B. Polay/HBOIn the weeks since the episode aired, searches for "Burberry tote bag" have jumped 310%, according to virtual fitting room company 3DLOOK, per Harper's Bazaar UK. Searches for "Burberry handbag" are up 180%, while "Burberry tote" increased 25%.
Former Trump aide Anthony Scaramucci likened his ex-boss to "Succession" patriarch Logan Roy. Scaramucci said Trump is a "family guy," and that Roy — like Trump — loves his kids. He has this love-hate relationship with his family," Scaramucci told MSNBC's Stephanie Ruhle. Brian Cox, who plays Roy, told Collider that the show's creator, Jesse Armstrong, has said that Roy does love his kids. Scaramucci isn't the first person who's likened the Trump family to the Roy family in "Succession."
NEW YORK, March 21 (Reuters) - "Succession" actor Brian Cox briefly turned into his commanding patriarchal character Logan Roy on the red carpet on Monday, as the cast of the hit HBO drama premiered its fourth and final season. Season four will see Logan edge closer to selling his company to tech boss Lukas Matsson, creating more family divisions and power struggles. “We're going to see a lot of fascinating rides and it's a bit like a roller coaster," Cox told Reuters at the New York premiere. I think people are going to love it... A lot of American shows go on well past their sell by date. Reporting by Alicia Powell; Writing by Marie-Louise Gumuchian, editing by Ed OsmondOur Standards: The Thomson Reuters Trust Principles.
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